Yet the result is as seamlessly Bonamassa as ever, with riveting guitar work that has echoes ranging from Africa to Led Zeppelin. His longtime producer Joe Shirley had to work with the powerhouse guitarist remotely, from his home in Australia. Guitarists Waste and Nick “Nikropolis” Poulos prove they can travel light but stay lethal with a few riff-makers, gassed-up Marshalls, and some green and yellow Japanese drives.īrought to you by D’Addario Nexxus 360 Tuner.Īfter moving back to New York City, Joe Bonamassa spent some lockdown time in Germano Studios in Manhattan’s NoHo neighborhood, tightly winding the music for his latest album, Time Clocks. Sure, the band’s sound has diversified the artform with the subtle incorporation of hardcore breakdowns and punk-rock-like choruses-but everything is still in fifth-gear, baby!Īhead of their headlining show at Nashville’s Basement East on August 10, PG’s Perry Bean jumped onstage to talk gear. But for metal purists, Municipal Waste and their cofounding guitarist Ryan Waste, plus their track record of seven mosh-motivating albums over the past 21 years, prove the genre’s brand of battle-axe riffery wasn’t a fad. Rich Warlock for a literally death-defying performance of Metallica’s “Master of Puppets” that catapulted the song into widespread pop-culture consciousness. Megadeth earned a Grammy for their 2016 album Dystopia, and very recently Stranger Things’ brave headbanger Eddie Munson brandished a B.C. Thrash metal has seen a resurgence since its ’80s heyday.
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